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Foot-Prints of the Buddha
Pictures Exhibition in Memory of Chinese Buddhism's Bi-millennia in China
《布袋和尚尊者》
北京雍和宫藏十八罗汉图之一
The Arahant as Monk with Cloth Bag
from "The Paitings of the Eighteen Arahants"
collected in the Lamaist Temple Yong-he-gong
佛和菩萨的化身来到人间，是五代以后佛教世俗化的重要标志之一。契此，是后梁浙江奉化人，平时带一布袋乞食，喜欢与童子嘻戏玩耍，圆寂时曾颂一诗，被人们盛传是弥勒菩萨的化身。
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Foot-Prints of the Buddha
Pictures Exhibition in Memory of Chinese Buddhism's Bi-millennia in China
五代《水月观音图》
敦煌莫高窟藏经洞出土 法国吉美博物馆藏
The Painting of "Sui-Yue-Guanyin
Bodhisattva Avalokitesvara Ponder- ing Over the Moon in the Water
Excavated from the scripture-storing cave of Dunhuang Caves Temple;
from in the Musee Guimet,Paris; dated Five Dynasties,AD.907-960
五代以后的佛教界流行绘制水月观音像，相传这种观音像是由唐朝画家周方创始的。水月观音与山水景观与映衬，很能适合文人的审美观。
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Foot-Prints of the Buddha
Pictures Exhibition in Memory of Chinese Buddhism's Bi-millennia in China
北宋郭熙绘《雪山兰若图》
美国华盛顿弗利尔美术馆藏品
The painting of "A Buddhist Monastery in the
Snow-Covered Mountains" by Guo Xi-hui in Northern Song
from the Freer Gallery of Art, Washington D.C., U.S.A.
五代以后文人画流行，山水画中又流行佛教寺院题材，使佛教艺术渗入到了文人的审美意境之中。
